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It has the typical blackface 60’s sparkle with a scooped clean sound just like the bigger Fender brothers, just with more smooth breakup, sag and compression.The smaller brother Princeton Reverb is rolling off more top frequencies and breaks up earlier with more warmth producing a brownface type of tone.If you are using your amp at home or in recording situations we think you’ll be very hapy with a stock DR, and maybe you even want your Deluxe Reverb to break up earlier sometimes.You will be able to shape your tone significantly with just the right speaker(s) and tubes.Many people consider the silverface amps just as sonically good as the blackface models.Being almost a blackface amp with a new faceplate (wrong for collectors), the silverface models became popular value-for-the-money amps.
It came with a fantastic vintage flight case that had travelled around the world, 6L6 tubes, a GZ34 rectifier tube, a JBLd120f speaker and had been totally AB763-blackfaced with new wiring, a professional cap job and all.
Summary The Deluxe Reverb 1×12″ has for decades been one of the most popular amps among all Fender amps, and its popularity is still growing as the demand for low wattage tube amps increases.
The combination of size, weight and performance makes the Deluxe Reverb a true road warrior on gigs and practise.
We spent days playing it with different guitars and pedals, not able to decide whether we liked it or not. It sure sounded nice with a Tubescreamer which removes both the upper treble and lower bass, and this is also how Stevie achieved his tone. We wanted to play this amp without a Tubescreamer and achieve a decent cranked tone.
We finally decided to continue the path that team Linda Ronstadt had started, enhancing this amp to our needs.Collectors hunt the blackface models and players hunt the silverface for it’s quality and price.